Batuquê Trio

Friday, January 24, 2020
7:30 PM
Cultural Arts CA1075 Beckwith Recital Hall
Event Type
Music Dept.
Contact
Seymour, Ann
910-962-3415
Customer
Department of Music
Link
https://events.uncw.edu/MasterCalendar/EventDetails.aspx?EventDetailId=101420

UNCW's Day of Rhythm workshop concludes with a concert by special guests, UNCW faculty and students.
 
Program will include original compositions and arrangements, as well as pieces by:
Chico Pinheiro
Toninho Horta
John Benitez
Baden Powell and Paulo Cesar Pinheiro
Angel Roman
Antonio Carlos Jobim
Lyle Mays
Ari Barroso
Moacir Santos
 

Batuquê Trio
Batuquê Trio blends a myriad of Latin jazz styles, from the folkloric roots of Cuban and Brazilian music to contemporary trends in Afro-Cuban, Brazilian and Caribbean jazz. The term batuquê refers to Afro-Brazilian polyrhythmic drumming and dance. Batuquê Trio has performed and given clinics around the Carolinas, Midwest, and Texas, as well as at PASIC, the Jazz Education Network Conference. Most recently, they were guests for the Indiana University David N. Baker Lecture Series.  Released in 2015, their debut, album Transparency, showcases the members’ exciting original compositions and rhythmically infectious standards.
 
Personnel
Jamaal Baptiste piano
Natalie Boeyink bass (UNCW faculty)
Andy Smith drums
with Justin Hoke guitar (UNCW faculty)
 
Artist Biographies 
Jamaal Baptiste grew up on the island of Aruba, a nexus for the music of the Americas and Europe. His instinctive feel and musicianship delights listeners and dancers alike. Baptiste is comfortable performing in a wide range of musical settings, with experience in jazz, blues, R&B, gospel, Latin, Brazilian, and Caribbean music. His island roots are infused into the trio’s unique sound, and his versatility glues the band together. In addition to the trio, Baptiste is an original member of Ritmos Unidos, the latest collaboration from seven-time Grammy nominee and percussionist, Michael Spiro. In 2016, Baptiste graduated with a master’s in jazz at the Indiana University Jacobs School of Music, where he is now pursing a Ph.D. in ethnomusicology, and leading the IU Soul Revue rhythm section.
 
Natalie Boeyink is an accomplished bassist, violinist, pianist, composer and educator who has worked primarily in jazz and Latin idioms. Equally influenced by bassists Ray Brown and Cachao, Boeyink’s upright bass has traveled literally and figuratively through Brazil and Cuba, assimilating samba, son and rumba just as easily as she steadily walks through American jazz. In 2014 she was awarded a Tinker Foundation grant to study the performance and pedagogy of popular bass styles in Brazil, traveling to Rio de Janeiro, São Paulo, Natal, Brasilia, and Campinas, Brazil. Boeyink is a respected adjudicator and clinician, and performs regularly throughout the Midwest. She is on the UNCW jazz faculty, and holds a DME from the Indiana University Jacobs School of Music, and master’s and bachelor’s degrees in jazz performance.
 
Andy Smith, musician, educator, and composer, is recognized internationally, having enjoyed a diverse career for more than two decades. Smith’s dynamic drumming style has been honed in Ghana, West Africa, São Paulo, Rio de Janeiro, and in nearly every state in the continental United States.  He recently completed a Doctor of Music at the Indiana University Jacobs School of Music. His career has taken him from the recording studios of Nashville, TN to Tanglewood, Ravinia and the Hollywood Bowl. He has traveled to Ghana West Africa and the Caribbean to be immersed in African diasporic rhythm. In 2012, Smith was awarded a Tinker Foundation grant to study contemporary Brazilian Jazz drumming in São Paulo and Rio de Janeiro, Brazil. In 2016, he was appointed visiting assistant professor and director of Percussion Studies at the University of Texas El Paso.
 
Justin Hoke is an active soloist, chamber musician, and educator based in Wilmington. He has been featured as a soloist on classical and electric guitar with the Panama City Orchestra, Florida State University Orchestra, and the Appalachian State University Guitar Orchestra. In addition, Hoke has performed solo and with ensembles across the East Coast in a variety of musical styles. He currently performs throughout the region as a member of the North Carolina Guitar Quartet. In 2013, Hoke joined the UNCW music faculty where he teaches classical and jazz guitar, and music theory. He graduated summa cum laude from UNCW in 2007 with a Bachelor of Music in classical and jazz guitar performance. He received his Master of Music from Appalachian State University and his Doctorate of Musical Arts in classical guitar performance from Florida State University.

 
 
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Tickets and ticket prices, please visit:

You may also call the UNCW Box Office at 910.962.3500.
Box Office is open Monday-Friday 12 - 4 p.m. 
Any remaining tickets will be available one hour prior to performance at the Cultural Arts Building. 

UNCW students may obtain tickets in advance by going to the UNCW Box Office (located in Kenan Auditorium) Monday-Friday 12 - 4 p.m.
Present your UNCW ID at time of purchase. 
 
Don't forget! The box office closes 15 minutes after the start of a Department of Music event.

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For more information or to join our email list, contact us
or call 910-962-3415 (Monday-Friday 8 a.m.-5 p.m.)

Directions to Beckwith Recital Hall:
Plenty of free parking, in front of the Cultural Arts Building and across the street.
 
Parking for patrons is free at the Cultural Arts Building in front of the building and across the street:
• weekdays after 5:00 pm
• anytime on weekends and holidays. 
 
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DEPARTMENT OF MUSIC CONCERT GUIDELINES FOR UNCW STUDENTS

Arrive on time: at least 10 minutes before start of concert

•   Arrive at the concert venue at least 10 minutes before the posted concert time. 


Concert attendance and program stamping

Programs for students registered in Department of Music classes are stamped by the ushers at the end of the performance. 

   •   If you leave before the concert ends, your program will not be stamped.

   •   If ushers should run out of programs, ask them to stamp your ticket stub at the end of the concert. Let your teacher know what happened. 

 

Use of electronic devices during performances

   •   use of computers, tablets, phones is not allowed during performances. Anyone using an electronic device will be asked to put it away. Noncompliance may result in being asked to leave the event.






Batuquê Trio
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